“Architects, painters, sculptors, we must all return to crafts! For there is no such thing as “professional art”. There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman. By the grace of Heaven and in rare moments of inspiration which transcend the will, art may unconsciously blossom from the labour of his hand, but a base in handicrafts is essential to every artist. It is there that the original source of creativity lies.
Let us therefore create a new guild of craftsmen without the class-distinctions that raise an arrogant barrier between craftsmen and artists! Let us desire, conceive, and create the new building of the future together. It will combine architecture, sculpture, and painting in a single form, and will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith.” — Walter Gropius
Paul Klee as a past eductator a t Bauhaus, inspired by the vast amount of colour theory in the movement, Klee mostly was a painter with a passion for a balance od bright and bold colours.
He again taught and developed the idea, Kandinsky's works again underwent changes when he joined the college: individual geometrical elements increasingly entered the foreground, his palette was centralised arund the balance of primary colours and the circle's featured is used differently, as a sensual symbol of perfect form.
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